隨著都市更新與建案的興建，城市風景正悄然改變。原本熟悉的風景與天空，因拔地而起的鋼筋水泥與施工天車而逐漸改變，如同圖層不斷疊加，在既有的景觀之上覆寫出新的城市樣貌。

作品以攝影與裱框的物質性為出發，玻璃成為我描繪的表面，我在相框的玻璃上刻畫隨時間變化的鋼筋結構與逐漸消失的天車輪廓。玻璃之後，是建案背後的風景與天空，攝影則成為刻畫痕跡的背景圖層。

這些雕刻於玻璃上的線條，像是速寫的筆觸，也像是若隱若現的輪廓。透過影像、玻璃與刻痕之間的層次關係，我試著描繪並留下城市更新過程中，容易被忽略、卻持續影響觀看的結構痕跡。


As urban renewal and new developments reshape the city, familiar landscapes and horizons gradually transform. Reinforced concrete structures and construction cranes rise into view, overlaying existing surroundings like accumulating layers, rewriting the urban image upon what was already there.

Beginning with the materiality of photography and framing, the work treats glass as a surface of inscription. On the glass of each frame, I trace the changing forms of exposed steel structures and the fading silhouettes of construction cranes over time. Behind these engraved surfaces lies the landscape and sky beyond the construction sites, while the photographic image functions as a background layer upon which these traces emerge.

The lines carved into the glass resemble gestures of drawing, existing somewhere between sketches and fading contours. Through the layered relationship between image, glass, and incision, the work seeks to record the structural traces embedded within processes of urban transformation—elements that often remain unnoticed, yet continue to shape the ways in which we perceive and inhabit the city.