兒時的記憶裡，公園中總會有一座巨大的攀爬架，讓孩子在其中穿梭、攀爬。隨著觀看的位置改變，當我凝視那些仍在施工中、鋼筋外露的建築體時，垂直與水平交錯、尺度龐大且鏤空的鋼筋結構，彷彿成了屬於大人的攀爬架。

作品以公園中常見的遊具——攀爬架作為結構原型，並以工業中常見的鋁製支撐構件搭建出一座「大人的攀爬架」。架體中裝置著建案外露鋼筋結構的攝影，將施工中的建築與遊具並置，使原本屬於工地的結構轉化為另一種觀看的對象。同時，縮小比例的人物雕塑與等比例的手掌雕塑攀附於架體之上，使這座結構既像日常中不斷拔地而起的鋼筋水泥，也成為一種關於身體、攀爬與依附的觀看隱喻。


Within childhood memories, a climbing frame often occupies the centre of a playground—a structure where children move through, climb upon, and negotiate their relationship with height, balance, and space. As my perspective shifts toward the exposed steel frameworks of buildings still under construction, these immense structures of intersecting vertical and horizontal lines, with their open and skeletal forms, begin to resemble a climbing frame designed for adults.

Using the familiar playground apparatus as a structural prototype, the work constructs an “adult climbing frame” from industrial aluminium support components. Photographs of exposed steel frameworks from ongoing construction sites are embedded within the structure, placing architectural fragments and playground forms into dialogue. Through this juxtaposition, elements originally belonging to construction sites are transformed into objects of contemplation and bodily imagination.

Scaled-down human sculptures and life-sized hand sculptures are attached to the framework, suggesting acts of climbing, grasping, and attachment. The structure simultaneously evokes the reinforced concrete landscapes that continuously rise throughout contemporary cities and becomes a metaphorical space for considering the relationships between the body, movement, and the search for support within uncertain environments.