〈對於漂流的想像〉從停駐於北海岸的漂流木出發，凝視其經歷山林倒塌、河流沖刷與海面漂流後所留下的痕跡。取代漂流木的直接展示，作品以微距攝影拍攝漂流木的結構與肌理，將影像放大並裝置於燈箱中，如同標本般呈現。以影像重塑物質的方式，回應漂流過程中的不可掌握性，帶出自然循環中物質的流變與不穩定性。
作品在觀看中延伸了對物件檔案化、地方性與自然風景生成過程的思考，引領觀者追溯那條無法完整辨認的漂流過程。

Imagining Drift begins with fragments of driftwood stranded along the northern coastline, attending to the traces left by collapse in the mountains, erosion through river currents, and prolonged passage across the sea. Rather than presenting the driftwood itself, the work employs macro photography to examine its structure and surface textures. These images are enlarged and installed within lightboxes, displayed in a manner akin to specimens.By reconstructing material through image, the work responds to the inherent elusiveness of the drifting process, foregrounding the mutability and instability of matter within natural cycles.
​Through the act of viewing, the installation extends a reflection on the archival impulse, locality, and the generative processes of landscape formation, inviting viewers to trace a trajectory of drift that can never be fully grasped or entirely mapped.